For her first solo exhibition in a Parisian institution, the great Chilean photographer Paz Errázuriz, who has shown relatively little in France, is presenting no fewer than 120 prints from 15 series, three of which have never been shown before: Próceres (1983), Sepur Zarco (2016), Ñuble (2019) and the emblematic series La Manzana de Adán, produced between 1982 and 1987.

Paz Errázuriz observes people who live in separate, even parallel worlds: circus performers, wrestlers, transvestites and prostitutes, vagrants and the mentally ill are often photographed in confined spaces.

More information can be found here.