Anna Prudhomme 8/30/24 Anna Prudhomme 8/30/24

Mayumi Suzuki – HOJO

Mathilde Cassan 8/29/24 Mathilde Cassan 8/29/24

Jasmine Gregory, If you can’t have it, no one can at CAPC, Bordeaux, France

For her first solo exhibition in France, curated by Claire Hoffman and Marion Vasseur Raluy, Jasmine Gregory presents the exhibition If you can’t have it, no one can at the CAPC in Bordeaux.

Madeleine Riousse 8/12/24 Madeleine Riousse 8/12/24

In conversation: Amalia Laurent

Questioning how imagination enables human beings to create spaces, Amalia Laurent works with various dyeing techniques she has developed. Through multiple layers of color, formed by dozens of chromatic superimpositions, she gives depth to two-dimensional surfaces, calling on our imagination to create both physical and emotional spaces.

Charlotte Youkilis 5/26/24 Charlotte Youkilis 5/26/24

In Conversation: Aïda Sidhoum

A song within a song brings together artists engaging with African and Afro-diasporic musical activities from the 1990s to the 2010s, within the francophone context. It frames genres like French hip-hop and R&B, zouk, raï, and coupé-décalé as necessarily cross-Mediterranean and cross-Atlantic.

Bria Purdy 5/12/24 Bria Purdy 5/12/24

Tina Modotti: The Eye of Revolution

Tina Modotti’s life was lived through the lens of revolution. Her political beliefs fueled her photography, and her photographs are what remains. They are tender and they are strong. They capture the fraught and symbiotic relationship between art and politics, between everyday life and systems of rebellion.

Charlotte Youkilis 4/2/24 Charlotte Youkilis 4/2/24

Rosemary Mayer’s Image-Text Works

Rosemary Mayer: Words in Art are Signs Returned, an exhibition at the Wallach Art Gallery at Columbia University, turns to Mayer’s lesser-known body of work with the written word, reconsidering the artist’s legacy in relation to feminist and conceptual practices. Curated by Farren Fei Yuan, the exhibition presents a range of Mayer’s image-text work, from large-scale artist’s books and literary magazines to a wall-mounted mixed-media series, displayed for the first time in its entirety.

Camille Lévy Sarfati 3/21/24 Camille Lévy Sarfati 3/21/24

Seeing Without Light by Nadia Kaabi-Linke – An exhibition in the flesh

The trace is probably the point at which everything converges in Nadia Kaabi-Linke's work. The trace of violence—of the many different forms of violence inflicted upon our cities, our bodies, our minds, our memories, and even upon our dreams.

M. Moran 3/10/24 M. Moran 3/10/24

In Solidarity with Palestine: On Empire, Continuity, and Interruption

“In Solidarity with Palestine”, an exhibition featured at Darat al Funun in Amman, Jordan, was conceived as a spontaneous reaction to the intensification of the perpetual brutality inflicted upon the Palestinian people. The exhibition honors the unremitting relevance of the archive of the Khalid Shoman Foundation.

Ximena Prieto 1/29/24 Ximena Prieto 1/29/24

Intuition and Play: Joining the Mundane & Mystical through the Lens of Childhood

Intuition and Play: Joining the Mundane & Mystical through the Lens of Childhood. On the work of Luna Izpisua Rodriguez.

Justine Daquin 1/14/24 Justine Daquin 1/14/24

In Conversation: Souvenir – Justine Daquin in conversation with Ohan Breiding and Shoghig Halajian

Artists Ohan Breiding and Shoghig Halajian are collaborators who come from divergent backgrounds, spanning photography, moving-image work, and curatorial practice. For this project, they worked with Ohan’s family member Mineko Ikehashi, who shares her experience of surviving a tsunami.

Anna Prudhomme 10/25/23 Anna Prudhomme 10/25/23

Anh Tran: Et puis, un jour, mon amour tu sors de l’éternité [“and then, one day, my love, you will come out from eternity”]

“I don’t want to deliver an interpretation. I want to leave it off to the viewer to choose the meaning. These are my hope and wish and it relies a lot on spirituality and the individual experiences that viewers are bringing with them when they come to see the paintings. The more I paint, the more it becomes fictional in a way.“ — Anh Trần

Anna Prudhomme 10/24/23 Anna Prudhomme 10/24/23

Hannah Black’s “Politics” (2022) and “Broken Windows” (2022)

Based in Marseille [France], Hannah Black’s creative approach harmoniously integrates thought and emotion, through written texts, prints, videos, sculptural installations, or performances. She is most notably recognized for co-authoring alongside writer Ciarán Finlayson and critic Tobi Haslett, The Tear Gas Biennial an impactful open letter in which they critiqued, the co-chair of the Whitney Museum's board Warren Kanders, for his controversial philanthropic initiatives funded by the sale of tear gas and various weaponry through the American equipment company Safariland.

Hugo Scheubel 10/15/23 Hugo Scheubel 10/15/23

Together: Rosa Anschütz

For Speciwomen’s Together series, Hugo Scheubel met with Rosa Anschütz to discuss her influences and thoughts as a musician, writer, and artist, and the courage she gathered to look within herself to then dare her listeners to look at what she is, at last, observing.

Anna Prudhomme 9/22/23 Anna Prudhomme 9/22/23

In Conversation: Agnes Questionmark

“In my work, I try to recreate that sort of hybrid experience in which I am half human, half sea creature – half terrain, half marine creature. I think since I was a child I always had this strong connection with the sea in a very existential way. There was this possibility of becoming a fish, feeling at home, at ease in a marine environment. It was so natural for me to swim under the water, to breathe under the water, it really changed something in my mind. I don’t feel human – I feel my brain has expanded in that way. Underwater feels like my habitat.” — Agnes Questionmark

Anna Prudhomme 9/11/23 Anna Prudhomme 9/11/23

Vous les Entendez? [Do You Hear Them?]: Laura Lamiel’s Solo Exhibition at Palais de Tokyo

For more than four decades, Laura Lamiel has been crafting a body of work characterized by a unique formal consistency, delving into various states of perception, cognition, and emotion. Through the artful arrangement and juxtaposition of found objects, raw materials, colors, and lights, her creations unveil spaces that straddle both the tangible and the psychological.

Allison Abdallah 7/28/23 Allison Abdallah 7/28/23

Senga Nengudi: Spirit Crossing at Sprüth Magers, New York

Nengudi’s work has historically existed at the periphery of the art world - deemed too specific for the white women of the conceptual art movement to relate to, and too conceptual to be considered among other Black artists of her generation. (2) Nengudi’s remarkable body of work has resisted the confines of categorization. Consequently, its influence has spanned several decades, defying space and time - allowing itself to have applicability on varying scales - global, local, modern, and historic.

Charlotte Youkilis 6/28/23 Charlotte Youkilis 6/28/23

In Conversation: Taína Cruz

Taína Cruz is an archivist, artist and researcher based in New York. Curator and writer Charlotte Youkilis spoke with Cruz about her image-making practice, browser-based works, and spirituality.

Camille Liu 5/20/23 Camille Liu 5/20/23

Camille Liu and Kasia Wozniak in conversation at Sarabande Foundation

Photography is in a very strange place, and I’m definitely chasing the tangible aspect of it.

Lauren Guilford 4/23/23 Lauren Guilford 4/23/23

Kenturah Davis: Dark Illumination at OXY ARTS

Kenturah Davis' practice is often situated in obscure and shadowy spaces such as these, in twilight zones that evade omniscient thinking, turning our flimsy blueprint constructions of perception into slippery jello. Davis makes us sensitive to the emergent vibrations that echo in the pit of a shadow, in the shadow beneath another shadow's shadow, rippling and cascading outward and falling back in on itself.

M. Moran and Philo Cohen 4/18/23 M. Moran and Philo Cohen 4/18/23

Shellyne Rodriguez’s Third World Mixtapes: The Infrastructure of Feeling

Shellyne Rodriguez’s Third World Mixtapes: The Infrastructure of Feeling is the artist’s first solo exhibition with PPOW. The show features 22 colored pencil drawings on black paper. Drawing upon specific relationships from Rodriguez’s everyday life in the Bronx, her work transcends space, and time. Through her work at large, Rodriguez poses larger questions about our relationships with one another and our collective struggle for liberation.