Inspired by literature (Ovid's Metamorphoses), film and radio, Hélène Delprat's daily practice, using drawing, painting, photography, archives and video, has resulted in a body of work full of self-mockery, a kind of book of hours that is both dark and sensitive, where fiction and documentary rub shoulders. She loves the idea of a death that is funny, monstrous, outrageous, melancholy... Her real or fictional interviews, her radio drawings and her collection of articles complete this kind of inventory of a world that is both fortuitous and deliberate. Her work also explores issues of recording, memory, identity and travel.

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