Time in my hands represents the first ever major retrospective exhibition for Leda Papaconstantinou (b. 1945), one of the most important artists in the history of contemporary art in Greece. For over almost five decades, Papaconstantinou developed a diverse body of work that took on a range of forms – performance, sculpture, video, site-specific installations, painting, etc. – in order to explore issues of gender, sexuality, collective and personal memory, history, politics and ecology, centred always on the body. As a trailblazing feminist artist and one of the most important artists of her generation, Papaconstantinou’s work is a seminal reference point for the Greek art scene and serves as an inspiration for subsequent generations of artists.

From the 1960s onwards, at a time of social and cultural radicalism, Papaconstantinou was one of the first artists to experiment with the then-emerging medium of performance art. Her first iconoclastic performances, carried out during her studies in England, investigate the construction of gender, identity and the female subject, through a feminist perspective that challenges patriarchal structures and other hierarchical relationships of power. The exhibition includes her films and performances from the 1968–1971 period, her first installations in Greece in the 1970s and 1980s, the 1975–1979 community theatre group “Spetses Players”, and her large-scale video installations of recent years. It aims to showcase and reframe pertinent issues within her art practice concerning gender, identity, the social dimension of the artwork, memory, and the relationship between discourse and corporality.

More information can be found here.