Senga Nengudi: Spirit Crossing at Sprüth Magers, New York

Nengudi’s work has historically existed at the periphery of the art world - deemed too specific for the white women of the conceptual art movement to relate to, and too conceptual to be considered among other Black artists of her generation. (2) Nengudi’s remarkable body of work has resisted the confines of categorization. Consequently, its influence has spanned several decades, defying space and time - allowing itself to have applicability on varying scales - global, local, modern, and historic.